The bourgeois writer of popular stories does not acknowledge this alternative. So you show him that even
without admitting it, he works in the interests of a particular class. An advanced type of writer acknowledges this
alternative. His decision is determined on the basis of the class struggle when he places himself on the side of the
proletariat. But then his autonomy is done for. He directs his energies toward what is useful for the proletariat in the
class struggle. We say that he espouses a tendency